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SOAP BOX OPERA WORKSHOP is a project developed by the collective
Artists Meeting. Honing in on the dramaturgy of theory, the group has
adapted excerpts from a variety of scholarly and art-theory-based texts
from different eras and genres to a "Soap Opera" filmic format whereby
plots are reduced to one liners, drama is played out in an exaggerated
manner and scenes rely on emotional turmoil and ambiguity to capture
the distracted viewer.
In the SOAP BOX OPERA WORKSHOP, professional actors and Artists Meeting
members have thus adapted the texts as scripts for scenes of domestic
and personal conflict and intrigue. The filming of these performances
follows the parameters of the "affect image," as described in Gilles
Deleuze's Cinema 1 and 2: Hence, the capture is restricted to only
close-up shots of the performers, with no staging or sets, letting the
detailed micro movements of the face, reflecting both external
circumstances as well as inner reactions, carry the meaning of the
episodes and scenes.
The project draws from the decadence of Rimbaud, the deconstruction and
criticism of Derrida and Foucault, and the controversy of Ted Kaczynski
and Andy Warhol in order to combine the intellectual tract writing with
soap opera-style acting. Taking inspiration from "All My Children" to
"General Hospital", "Dark Shadows" and an array of South American soap
opera acting styles, combined with the presence of literary criticism
and theoretical text, Artists' Meeting creates a new genre: the
Interpretive Soap Opera.
During the exhibition at OTO a surprise element will contribute to the
distracting nature of the soap opera and will interfere with the
audience's reception of these transformed but otherwise scholarly texts.
Project Curators: James Andrews, Raphaele Shirley, Olga Lysenko
Excerpts of Arthur Rimbaud, Jacques Derrida, Michel Foucault and Andy Warhol directed by Raphaele Shirley
Excerpts of Guy Debord and Ted Kaczynski directed by Lee Wells
Featuring performances by Caraid O'Brien, Edita Zulic, Aaron Beall,
Randolph Curtis Rand, George Spaeth, G.H. Hovagimyan, Lee Wells
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